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Manual On Record: Rock, Pop and the Written Word

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People who bought this also bought. Mennyms Alone by Sylvia Waugh Paperback, About this product Product Information The first comprehensive survey of critical approaches to pop music. The diversity of the essays covers sociological, feminist, semiotic and musicological points of view. Additional Product Features Author s.

Show more Show less. No ratings or reviews yet. Basically, a Pop song is one that a lot of people currently enjoy listening to and want to hear again. Remember, a Pop song is a combination of something you want to say and something listeners want to hear. Try not to be critical of work in progress.

Just let it flow and see what happens. Your message will emotionally connect with listeners if you handle it with honesty and insight. They feature the same kinds of popular themes that work for songs.

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Simon Frith. Music for Pleasure: Essays in the – Canadian University Music Review – Érudit

Just grab a pencil and a sheet of paper and start watching your favorite TV shows. Try writing from the point of view of one of the people in the situation. Most hit Pop songs revolve around the singer or the singer and another person. This is how songs connect with listeners in a physical way. A rhythmic groove also expresses the attitude or energy of your song. There are dance grooves, strutting grooves, bluesy grooves, sad grooves, happy ones.

Let the groove guide you into your song by suggesting words that match the mood or attitude. Play along with the recording until you can comfortably play the rhythm on your own, then write to it. Try these resources for grooves, chords, and tracks. You pro players can use some of these ideas to get started on a song, then follow up on your own gear.

Once you have a groove, try making a list of short phrases, images, and ideas that the rhythm suggests to you. How does it make you feel? Ready for a party? What kind of situation or relationship does the rhythm suggest?

How To Write A Pop Song

Remember, the music is like underscore for your lyric. Lyric and music need to support each other. You can start right there. If you have the first line of a melody, try repeating it for the second line. Then go somewhere else for the third line and come back to your original to wrap it up. Pop radio hits tend to have powerful chorus melodies that let the singer really stretch out and get emotional.

Try going to a higher note range for the chorus and give it a peak note — the highest of the song — before coming back down and resolving at the end. Consider using that pattern in your own chorus. NOTE: The lyrics will often change even though the melody repeats. Play around on guitar or keyboard until you find a short phrase that suggests an attitude or feeling.

Once you find a phrase you like, try playing it to a rhythm groove and let that suggest the theme and content of the lyric as above. You can find the chords to your favorite songs in song books and online. Here are a few chord progressions based on recent hit songs to get you started. These are just suggestions. You can change the chords, delete some, rearrange or play them any way you want to. The recording is a half step up if you want to play along with the song.

When you have a chord progression you like, try playing it with a rhythm groove, then develop a lyric idea as I described above. Once you have an idea what you want to write about, try describing it so listeners can see and hear it. Write your lyric like a script for a movie.

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Be sure to keep your listeners in mind as you write. Remember, a Pop song needs to connect with them in order to succeed. What kinds of questions would they want to ask?